Series 2:

Structural Remnants and Cosmic Time

This series represents the core of the practice, where the photograph becomes a conceptual composite—a fabricated reality rather than a documentary record. Through specialized light painting, the artist physically inscribes light onto the long exposure, framing this action as a deliberate, structural intervention in the scene. The works examine abandoned architecture and infrastructure against the infinity of the cosmos, exploring the paradoxical themes of fluidity and structure.

  • A long-exposure black and white photograph capturing a decaying Route 66 shield sign in the Arizona desert. The image uses dramatic chiaroscuro to contrast the blurring movement of passing traffic and clouds with the static sign, history histor

    Route 66: Time and Trace, Arizona

  • structural photography; minimalist; black and white; abandoned sign; decay; infrastructure; conceptual art; high contrast; formalism; fine art print

    False Message: Structural Decay

  • conceptual composite; surveillance tower; blue light painting; structural critique; infrastructure art; digital gaze; urban landscape; limited edition print; long exposure

    Network and Surface: Digital Gaze

  • star trails; long exposure; conceptual photography; light painting; abandoned building; cosmic time; fluidity and structure; desert night; fine art print

    Noö-Dynamics: Cosmic Impermanence

  • An abandoned corrugated metal shed covered in colorful graffiti, surrounded by dry desert vegetation, under a twilight sky with a utility pole in the background.

    Ephemeral Shelter: Blue Structural Critique

Series 1:

Time, Stewardship, and the Human Gaze

This collection represents a structural exploration of the ethical dimensions of the American landscape. Through long exposure, the images transcend mere documentation, evolving into formal studies of time and contrast. Inspired by the aesthetic formalism of Edward Weston, these pieces isolate natural and architectural subjects—ranging from rugged mountain textures to urban gradients—to examine the tensions between the enduring presence of the land and the fleeting yet significant impact of human intervention.

  • fine art photography; sunset seascape; high contrast; formalism; ethical landscape; temporal study; limited edition print; chiaroscuro; water; nature photography

    Temporal Edge: Sunset Convergence

  • structural critique; human presence; landscape photography; mountain road; ethical themes; PPL; conceptual art; fine art prints; limited edition

    Road to Nowhere: Ethical Intervention

  • formalist photography; pure structure; high contrast; landscape; mountain texture; Edward Weston influence; conceptual art; geological narrative

    Ascending Form: Pure Structure

  • conceptual landscape; perspective; human intrusion; winding road; mountain valley; structural art; fine art photography; wilderness

    Vantage Point: The Gaze from Above

  • desert landscape; high contrast color; sunset photography; ethereal; emotional resonance; fine art print; American Southwest; conceptual

    Sunset Frontier: High-Contrast Color

  • time study; composite photography; conceptual cityscape; metropolis; serialization; structural system; long exposure; limited edition 1

    City Gradient: Time in Metropolis

  • serialization; cosmic time; long exposure; moonscape; multi-panel; conceptual study; structural rigor; chiaroscuro; fine art print

    Celestial Shift: Four-Panel Study